This Albion: Snapshots of a Compromised Land - coming soon from Culture Matters...
Encounters With Everyday Madness (ROMAN Books, 2023)
‘Exceptional literary talent.’ Edge Hill Prize, 2024
‘By turns disturbing, playful, witty, inventive, these stories conjure vivid images out of the unpromising material of suburban life, and engage the reader in the contemplation of the extraordinary nature of the ordinary.’ Shiny New Books
‘Truly standout writing.’ Everybody’s Reviewing
The State of Us, Fly on the Wall Press, 2023
‘Absolutely terrific.’ Outside Left
The Pirate Queen, Stairwell Books, 2022
‘A wonderful book.’ The Fawcett Society
‘A brilliant swashbuckling story.’ Birmingham Irish Association
‘A clever meta-fictional book… entertaining and thought provoking.’ Adventures in Reading
I Don’t Want to go to the Taj Mahal, Repeater Books, 2020
‘Unique and beguiling… a book about memory, and how we recall and record the textures of lived experience.’ the Quietus
‘A sublime rendition of a state that seems to be specifically located in the hearts and souls of those who inhabit Britain’s second city.’ Tribune
‘An important contribution to working class life writing.’ Culture Matters
‘This is a book I loved reading. Unforgettable.’ Tears in the Fence
Walking Backwards, pamphlet, V. Press, 2017. Sold out.
‘Intensely observed fragments of everyday life…all give pause for thought.’ Irish Times
‘All the best prose writers have a love of poetry. Charlie Hill is a real writer, and a very good one too.’ Sabotage Reviews
Stuff, Cinnamon Press, 2016. Sold out.
‘In the genre of Urban Hyperrealism; life as a series of Joycean epiphanies… witty, beautifully detailed and compelling in its depiction of a modern alienation.’ Wales Arts Review
Books, Profile Books, 2013. Currently unavailable.
‘Sharp, funny and shrewd’ Financial Times
‘An indignant romp… several glorious moments.’ London Review of Books
‘Hill is a smart writer - provocative but not juvenile, ironic but not weary.’ Morning Star
The Space Between Things, Indigo Dreams Press, 2010. Currently unavailable.
'Rich in wry social commentary, but also funny and linguistically dexterous.' The Observer
'Wonderfully observed' the Times
‘An engaging debut’ the Guardian